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· designboom | architecture & design magazine· Ivana Sánchez

mexican craftsmanship finds contemporary language in everyday ceramics

CLAY WITH A SENSE OF PLACE

Mexican ceramic atelier SAUDARA approaches clay as more than raw material. Founded by Ivana Sánchez and her mother, María Padilla, the studio creates tableware, vessels and domestic objects that bring a contemporary sensibility to forms rooted in Mexican craft and identity. Rather than treating tradition as something to preserve behind glass, SAUDARA places it firmly on the table, where it can be touched, used and inevitably become part of everyday life.

The studio’s collections are built around restrained silhouettes and surfaces that do much of the talking. Expressive glazes, natural clay and subtle variations give otherwise simple forms a distinct presence, balancing usefulness with enough character to prevent the dinner table from becoming too polite. Across bowls, vessels and serving pieces, SAUDARA treats ceramics as objects that accumulate meaning precisely because they are handled repeatedly.

saudara ceramic atelier 2
tea set and kenzan in collaboration with flower studio Granada | images courtesy of Saudara

FROM AMAPOLA TO THE ARCHIVE

That approach can be seen in pieces such as the Amapola salad bowl, finished in the studio’s serrano glaze, where an uncomplicated functional object becomes a vehicle for color and texture. SAUDARA’s Archive collection similarly explores how the same family of forms changes through different surfaces, appearing in dirty taupe glaze as well as combinations of onyx glaze and red natural clay.

The collection suggests an interest in variation rather than reinvention for its own sake. Changes in glaze, material and finish allow familiar forms to acquire different personalities without losing their everyday purpose. In SAUDARA’s hands, the ceramic object does not need an elaborate gesture to announce itself; a shift in surface can be enough.

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archive collection in dirty taupe glaze

OBJECTS MADE TO BE USED

Collaboration also expands the studio’s domestic language. A tea set and kenzan developed with floral studio Granada brings ceramics and flower arranging into the same composition, turning serving and arranging into complementary rituals. The pieces move between practical object and small domestic landscape, reinforcing SAUDARA’s interest in objects that participate in daily routines rather than simply decorating them.

The studio’s ceramist bowls, or los chawanes, continue this focus on intimate, hand-scaled objects. Together, SAUDARA’s work proposes a quietly contemporary reading of Mexican ceramics: one that carries craft, material and identity forward without making them feel fixed in time. These are objects designed to live alongside their owners — to be filled, shared, rearranged and, preferably, not left untouched on a shelf.

saudara ceramic atelier 1
Amapola salad bowl in serrano glaze

saudara ceramic atelier 5
archive collection in onyx glaze and red natural clay

saudara ceramic atelier 6
archive collection in dirty taupe glaze

saudara ceramic atelier 7
Ceramist bowls / los chawanes

saudara ceramic atelier 3
tea set and kenzan in collaboration with floral studio Granada

project info:

name: SAUDARA Ceramic atelier
designers: Ivana Sánchez / María Padilla | @saudara__
location: Mexico

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. See more project submissions from our readers here.

edited by: Iñaki Laguardia | designboom

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