О графическом дизайне
Dating app Feeld, most famous for its ability to bring three people together, has been rebranded, renamed and repositioned by London based studio Two Times Elliott.
London based Accept & Proceed recently designed a new identity for Hansine, a contemporary womenswear label inspired by the romance of luxury travel. The logo is a modern spin on stencilled monograms seen on vintage suitcases. The brands visual language takes cues from iconic travel and fashion…
Handcrafted in Germany, Void is a natural hair wax for men that is made entirely of natural ingredients. Hamburg based studio Rasmus Und Christin designed their new identity, which includes packaging and print collateral.
Designed by London based studio POST, Fare is a new magazine exploring the culture of cities through food and history. Each issue focuses on a different city, with the first issue being dedicated to Istanbul. The content of the first issue comes from the locals, therefore accurately representing…
Halo is a brewery in Toronto, Canada that takes the traditional recipes of rare styles of beer and experiments with their ingredients. Underline Studio were tasked with creating them an approachable brand identity that matches their unconventional methods. The brand uses geometric patterns in…
Fora is a cultural magazine with a wide and diverse perspective. It’s brand identity, which showcases this diversity, was created by Melbourne based designer Gemma Mahoney. The brand will evolve with each issue of the magazine by adding a new colour as the main feature of the print work. Gemma…
German content agency Loved commissioned Bureau Borsche as Creative Director for the fourth relaunch of Audi’s corporate magazine. He chose to shift the focus towards photography, bold type and a subtle use of white space to give the publication a new minimal look.
East Village Sydney set out to create a series of wines that would feel considered enough to be perceived as more than a ‘house’ offering. They commissioned The Colour Club to design the labels, who used bright colours and playful typography to showcase the series. The upside down type on the…
Logo and graphics for a juicy sandwich shop in Richmond.
Having worked closely with Cake Wines over the last few years, we were approached to create an overall visual language for their first Cellar Door which opened in early 2016 in Redfern, Sydney. The concept plays with the idea of nostalgic still life paintings and an interplay of shapes found in…
Visual identity for Flygrl, Melissa’s latest collection. Melissa is an iconic global footwear brand with origins tracing back to Sao Paolo, Brazil. Melissa has an international presence in more than 80 countries and more than 200 stores just in Brazil. We created a design system that is being…
Fatking is an award winning creative production company working for various clients and agencies in both New York and LA. We created a fun personification of a ‘Fatking’ as someone who has a bold yet self deprecating attitude, is crowned with a Basquiat-esque gold crown and would most likely be…
Exposure: Olivia Crumm Speaking to Gem Fletcher, the photographer shares the story behind her series Wake, which has been shortlisted for the Aperture portfolio prize, and discusses family, grief and the psychology of making portraits Inside the BFI’s new online video archive From early Flash…
Why it’s time to take ugliness seriously The trend for brands using hand-written fonts and messy aesthetics is more than just fashion, it’s a reaction against big tech and AI, says Kyle Raymond Fitzpatrick, author of the Trend Report newsletter The Monthly Interview: Burnermunde From viral skits to…
Care France campaign links rising temperatures to domestic violence The OOH work from agency Belle, titled Degree of Violence, highlights how climate change affects women and vulnerable communities Anaïs Odoux on making collage her creative playground The French designer and illustrator reflects on…
Establishing a new identity for the organisation Design Sweden, founded in 1957. A custom typeface family was designed to create a unique voice for the organisation along with a simple and clear tone of voice communicated through a colourful graphic language. The new identity was launched during…
Printworks London is a new multi-purpose event space seeking to change the face of the capital’s cultural scene. Comprising six vast event spaces, the 16-acre former printing factory will host events across the arts, fashion, film, food, theatre and more. Only were commissioned to create a brand…
Hipchips is the first of its kind: a crisp restaurant in London’s Soho. It cooks crisps on site using heritage potato varieties and pairs them with experimental dips, both savoury and sweet. We created a brand to get it noticed as the latest disruptor in the capital’s ultra-competitive food scene.…
Meg’s Tailoring, a well-loved tailoring business with two stores in Auckland, were looking to update their brand identity in order to effectively communicate their ongoing ambition to provide quality service and exceptional customer experience. Our aim was to re-introduce Meg’s to the market in a…
Forest Found works to get people of all ages and backgrounds outside. Having grown up climbing hills and adventuring in woodlands they want to pass on their enthusiasm for the powerful and tangible benefits of nature. They are passionate about using the outdoors to; boost children’s development and…
We were asked to reinterpret the essence of the acclaimed French fashion house Paco Rabanne through a full rebranding. Working closely with the label’s creative director Julien Dossena, we developed a comprehensive brand system – including new logo marks, typography, packaging, accessories, print…
KO are production specialists covering all aspects of photography and video, delivering professional content for leading brands. With an expansion in both offer and size, we were asked to re-design their identity along with a comprehensive stationery suite and range of promotional materials. The…
This past weekend, British artists Jamie Wardley and Andy Moss accompanied by numerous volunteers, took to the beaches of Normandy with rakes and stencils in hand to etch 9,000 silhouettes representing fallen people into the sand. Titled “The Fallen 9000,” the piece is meant as a stark visual…