О графическом дизайне
Margarete Steiff GmbH is a globally renowned manufacturer of toys and stuffed animals. In 2016, photographer Hannes Rohrer was invited to document the company’s history-steeped factory in Giengen, Germany. Munich based studio Daily Dialogue designed a book showcasing the images from Rohrer’s time…
Watson Morgan is a new clothing brand from Michigan that produces high quality basics such as tees and shirts. Their identity, designed by Vencho Miloshevski, is a minimal typographic solution that is applied across stationary, bags and labels.
High-end millinery brand Barnaby Horn creates bespoke hats, headpieces and masquerade masks. Their visual identity, designed by Leeds based Saul Studio, revolves around a custom wordmark inspired by the typeface Solid Mirage by Velvetyne Type Foundry. Alongside the wordmark is a series of irregular…
New York based photographer Jessica Antola commissioned Javas Lehn Studio to design her first monograph, Circadian Landscape. The book showcases her portrait and landscape photography that was taken in seven African countries over three years. It was printed and published by Damiani in Bologna,…
The Black Isle Bakery, based in Berlin, creates modern recipes based on the season and the origin of their produce. Keeping in mind the art background of founder Ruth Barry, design studio OK-RM created an identity that places the traditional craft of baking within a contemporary cultural context.…
Untitled is an international art fair that focuses on curatorial balance and integrity across all disciplines of contemporary art. London based studio OK-RM worked alongside curators Christophe Boutin and Melanie Scarciglia to develop the fairs visual identity, wayfinding, campaign and website.
Snow Beach is an LA based film production company that represents a team of leading industry directors such as Amos Leblanc, Brendan Vaughan and Christine Yuan. They have created music videos for artists such as Travis Scott, A$AP Rocky, Pusha T and The Weeknd, as well as commercials for brands…
Swedish microbrewery PangPang have released a new beer called ‘Can Release’, a cloudy can beer released in a bottle. The label design, by Stockholm based designer Jens Nilsson, is screen printed with black and white ink onto a silver foil die-cut label.
Mara is the debut album of Munich based jazz group FAZER. The design of their identity, album artwork and merchandise was handled by local studio Daily Dialogue.
Beatrice Larkin is a British textile designer who’s work is inspired by African textiles and Brutalist architecture. She has exhibited her work at the Design Junction and Clerkenwell Design Week. Brighton based branding agency Myles Lucas Studio has been working with her to develop her brand…
Founded in Sydney in 2008, Andrew Burns Architecture specialise in research based private and commercial work. They recently commissioned SPGD to redesign their visual identity. The practice’s work exists in 2 areas: ‘research’ and ‘realised’. This allows their identity to be divided into 2 parts,…
During Stockholm Furniture & Light Fair 2018, lighting company Wästberg held an exhibition to celebrate it’s 10th anniversary, in collaboration with photographer Dawid. He was asked to immortalise Wästberg’s existing range, and the result is a series of photographs condensed into simple yellow and…
Dating app Feeld, most famous for its ability to bring three people together, has been rebranded, renamed and repositioned by London based studio Two Times Elliott.
London based Accept & Proceed recently designed a new identity for Hansine, a contemporary womenswear label inspired by the romance of luxury travel. The logo is a modern spin on stencilled monograms seen on vintage suitcases. The brands visual language takes cues from iconic travel and fashion…
Handcrafted in Germany, Void is a natural hair wax for men that is made entirely of natural ingredients. Hamburg based studio Rasmus Und Christin designed their new identity, which includes packaging and print collateral.
Rimowa is one of the leading global manufacturers of functional luxury luggage. In celebration of their 120th anniversary, they commissioned London based studio Commission to design a timeless new identity, and incorporate a wordmark designed by Bureau Borsche. Commission developed a new monogram,…
Designed by London based studio POST, Fare is a new magazine exploring the culture of cities through food and history. Each issue focuses on a different city, with the first issue being dedicated to Istanbul. The content of the first issue comes from the locals, therefore accurately representing…
Halo is a brewery in Toronto, Canada that takes the traditional recipes of rare styles of beer and experiments with their ingredients. Underline Studio were tasked with creating them an approachable brand identity that matches their unconventional methods. The brand uses geometric patterns in…
Bishops is a non-traditional barbershop with various locations in North America. They commissioned Los Angeles based design studio Public-Library to create their new identity. Public-Library developed a system in line with Bishops‘ edgy and expressive personality. They designed a wide range of…
Burnt Oak, a town centre in North London, has a new identity designed by Norwich based studio Maddison Graphic. Their work includes the design of printed collateral, shopfronts, murals and signage.
Fora is a cultural magazine with a wide and diverse perspective. It’s brand identity, which showcases this diversity, was created by Melbourne based designer Gemma Mahoney. The brand will evolve with each issue of the magazine by adding a new colour as the main feature of the print work. Gemma…
German content agency Loved commissioned Bureau Borsche as Creative Director for the fourth relaunch of Audi’s corporate magazine. He chose to shift the focus towards photography, bold type and a subtle use of white space to give the publication a new minimal look.
East Village Sydney set out to create a series of wines that would feel considered enough to be perceived as more than a ‘house’ offering. They commissioned The Colour Club to design the labels, who used bright colours and playful typography to showcase the series. The upside down type on the…
Building on the visual aesthetic we established in Edition One, we designed and art directed the second issue of Brick Magazine. Featuring two striking portraits, the covers were stripped back, containing just the masthead and artist name in a blush metallic foil. Inside, the look and feel of the…