О графическом дизайне
Felix Braden / Floodfonts Mindsparkle Mag Corsario, the editorial serif that redraws itself for every point size Editorial design asks a lot of a typeface: it has to carry expressive headlines, long reading texts, captions and footnotes while keeping one consistent visual language. Corsario…
SOLIDNATURE AND SABINE MARCELIS LAUNCH LIMITED-EDITION CANDLEHOLDERS What began as an ephemeral spatial installation for Amsterdam Fashion Week 2026 has evolved into a series of collectible design objects. Following the enthusiastic response to their collaborative table setting during the event’s…
Today at Apple is teaming up with us at It's Nice That for Made for Business, a panel series that asks what’s required to build a business from your own practice in the creative industry today. Hosted in Apple Stores as part of the same programme where Apple hosts ongoing photography, design and…
Krem & Kanel is a shop located in Sainte-Thérèse, Canada, that sells cinnamon rolls, coffee, and soft-serve ice cream. Their visual identity was created by Mill3 and uses Kaio Krilin (from Lift Type) as the wordmark and primary typeface. For the logo, the corners of the font were slightly rounded,…
The book Faz Colher e Borda o Cabo (“Carve the spoon, then embroider the handle”) is published by a collective at Centro Cultural Vale Maranhão (CCVM), with graphic design by ps.2 arquitetura + design. The publication gathers research, narratives, and processes showing there is no border between…
Founded in Milan, Studio x01 is a creative studio and production company working across documentary filmmaking, cinema, publishing, and visual communication. Its projects range from independent documentaries to branded content, communication campaigns, and occasional editorial work. For their…
Branding studio Saboteur uses F37 Analog throughout its own brand identity, bringing a distinctive, characterful voice to the studio’s visual language. Paired with a bold graphic system and playful art direction, the typeface helps create an identity that feels confident and expressive. Formats…
PIXILAB is a Swedish technology company, developing software for media-rich experiences in museums, exhibitions, corporate showrooms and other public spaces. The company grew out of decades of work with large-scale presentation and media control systems for the audiovisual industry. Its tools are…
The new permanent exhibition in Block 27 at the Auschwitz-Birkenau State Museum deals with the Shoah – the murder of the Jewish people – in its entirety. The exhibition imparts, as concisely as possible, the fundamental aspects of the Holocaust in order for visitors to comprehend how…
“Poems of Unrest” was the title of the identity for OFF-Biennále Budapest’s anniversary edition in 2025, responding to a moment shaped by political, social, and environmental unease. From city lights to UI, web and participant materials, the visual language carried through with bold colour, sharp…
Abartig is a graphic novel by Swiss illustrator and designer Atalja Tapis, created as her diploma project. The book is defined by Tapis’s distinctive illustration style, with expressive drawings and rich, vivid colours that give the story its own unmistakable visual world. The graphic novel is set…
On this acrylic character stand collection, female character names (Iko Kirino, Nene Himekawa, Rikka Inohana, Shinobu Uzuki) from the Japanese anime series Tune In to the Midnight Heart are set in the Japanese square geometric typeface VDL LineG by Visual Design Laboratory. The typeface is…
For Lyon, France-based graphic designer Alexis Cros, his local scene is very important. Through working with DIY artists, from foreign artists and musical labels to broader concepts such as sports photography or merchandising, Alexis works best when he is connected with someone or a group in his…
One of the best things about alternative literature is that it really originated online, and with it, ushered in a new world of blog writing, GeoCities prose and intertextual genre writing that would’ve previously been rare finds in niche magazines. Those magazines are now largely online, just take…
While I was at college and university, I was in my element. Graphic design was the first subject that made me feel genuinely capable. It kept me focused, interested, and stimulated a part of my brain that nothing else could. I was focused and full of enthusiasm, completely absorbed in the projects…
cardboard boxes become stools for Bottega Veneta show For Bottega Veneta’s Summer 2027 show, Ukrainian artist Illya Goldman Gubin takes ordinary cardboard boxes and turns them into sculptural stools, shaping each one through direct physical contact before reinforcing it with resin and fiberglass.…
FORMAFANTASMA TAKES ON SANTA MARIA NOVELLA Formafantasma has been appointed Creative Director of Officina Profumo-Farmaceutica di Santa Maria Novella, bringing Andrea Trimarchi and Simone Farresin into one of Florence’s longest-running institutions. Founded in 1221 from the medicinal herb…
Pierre Jamet spent the week between Christmas and New Year’s the way most of us spend that strange, formless stretch of the calendar. And by that I mean not working. Of course, if you like your job, you’re loosely thinking about work and fusing that with some whimsical thoughts. Unlike what I was…
We gather the best of the week across packaging, branding, editorial design, and typography from ISO week 2026-W39, highlighting architectural forms and print craft. This week’s editorial throughline investigates the tension between severe structural geometry and organic, tactile materiality.…
From a 1954 press and journalism annual issued by the National Magazine Co. Ltd., an advert singing the praises of Good Housekeeping. The magazine was the 1922 British offshoot of the American parent that had first been published in 1885 and has been owned by the Hearst Group for over a century.…
Panter&Tourron’s studio in Lausanne In Switzerland, Panter&Tourron are designing subtle, quiet objects that people can’t help but take notice of. It would be unfair to say that their work is ‘eye-catching,’ as that may conjure an image of something gaudy, gold, or strobing. But there is a certain…
SAVVY STUDIO structured the Adam Pendleton monograph around 1960s computational punch cards and concrete poetry for rigorous editorial design. Adam Pendleton operates within a strict visual universe defined entirely by black and white. For his studio identity and print collateral, Mexican agency…